SNUFF
DVD
Region 0. Blue Underground
No,
it's not real.
Snuff
began life as Slaughter, flirted with the title Daughters
of De Sade (a GREAT title it must be said) and finally wound
up as Snuff in the hands of scam-merchant distributor
Allan Shackleton.
Slaughter
was shot by husband and wife team Michael and Roberta Findlay,
already veterans of the sleaze scene by the time they lensed
this movie in 1971. Inspired by the Manson Family killings,
they cobbled together a story which retold the events in the
most simplistic way, changed names to avoid lawsuits and scurried
off to South America, where film crews - if not life - were
certainly cheap. telling the story of a hippy cult leader who
inspires his followers to murder, the finished film was somewhat
lacking in many areas. Sound for instance, as the movie had
been shot without sync sound and had to be dubbed later. Any
sense of watchability being the other main missing ingredient.
Back in the 70's with drive-ins, grindhouses and flea pits across
the world eager for product, your movie had to be especially
poor not to get a release. But no-one wanted Slaughter,
and so it sat on the shelf for the next five years. Until Shackleton,
exploitation film distributor and jovial sleaze merchant, decided
to cash in on newspaper stories about so-called 'snuff movies'
- porn films in which the performers were actually murdered.
There's
a certain irony in the fact that Shackleton picked up on Slaughter
to craft his snuff-scam. After all, it was Ed sanders' exhaustive
book on the Manson Family that first coined the term 'snuff',
and perhaps it was the rumours that some Family killings were
filmed that made Shackleton see potential in this no-hoper film.
Who can say?
Shackleton immediately removed the end of Slaughter and
hired porn director Carter Stevens to film a new climax. The
new version ends with the camera pulling back to reveal the
film set. An actress who bears no resemblance to the woman previously
seen on screen talks to the 'director' about how 'turned on'
she is. They start making out, he pulls a knife, cuts off her
hand and disembowels her. The film runs out.
After removing the film credits, planting press stories about
a 'snuff movie' being seized by US customs and hiring protesters
to picket cinemas where the film was playing, Shackleton has
a surefire hit with the newly titled Snuff. Inevitably,
dumbass feminists soon started REAL protests about the film,
and it was briefly examined by the police who quickly realised
that the only death involved here would be from audience members
expiring through boredom.
As
it stands now, Snuff is a VERY dull film which will frustrate
the handful of people who actually find the story interesting
by finishing before the end. For all the notoriety, it has scant
sex and violence - even the tacked on ending is pretty tame
- and as these are the only possible elements that would make
it interesting, the movie stands as a real test of stamina for
viewers. I'd suggest that if you DO watch it, skip straight
to the last five minutes, check out what all the fuss is about
and then find something better to do.
Blue
Underground's DVD sticks with the scam tradition, presenting
a remarkably bare-bones edition of the film - no extras, no
chapters, no menu and no label credit. I appreciate them making
an ironic reference to the mythology of the movie, but hopefully
we'll eventually get a reissue with one of BU's definitive documentaries
telling the story of Snuff. It'd be a hell of a lot more
interesting than the movie itself.
DAVID
FLINT